Wednesday, 21 September 2016

Guest Artist "Snapshot" - Troy O'Donnell

‘An Inspector Calls’ marks Troy's third appearance at Rosebud Theatre, previously appearing as Mr. Van Daan in ‘The Diary of Anne Frank’ and Father Christmas / Giant Rumblebuffin in ‘The Lion, the Witch, and the Wardrobe’. A founding member and Artistic Associate with the Freewill Shakespeare Festival, Troy has also performed at the Citadel Theatre (‘Julius Caesar’ and ‘Hamlet’), Mayfield Dinner Theatre (‘The 39 Steps’), Concrete Theatre (‘Smokescreen and The Early Bloomer’), Quest Theatre (‘The Umbrella’), Punctuate! Theatre (‘Adult Entertainment’ and ‘The End of Civilization’), Thou Art Here (‘The Falstaff Project’), Workshop West, Shadow Theatre, Theatre Yes, Trunk Theatre, Theatre North West, Northern Light Theatre and Leave It To Jane.
Troy O'Donnell & Glenda Warkentin in An Inspector Calls. Photo by Morris Ertman.
Where do you call home?
Edmonton. Born, raised, studied there.

What’s your “must-have” morning ritual?
A little bit of peace and quiet. No music. No radio chatter. No TV. Nothing.

What’s a particular Rosebud thing you fill your time with when you’re not performing?
I’ve fallen in love with the new giant gazebo. I hang out there at all different times doing all kinds of stuff: reading, eating, listening to music, working.

You’ve worked extensively (and serve on the board) with Edmonton's Freewill Shakespeare Festival. Do you have a favourite play, or a go-to monologue?
Although I’ve been in it eight times and directed it twice, I still find such joy and magic in A Midsummer Night’s Dream. There are a couple of monologues from it that I will jokingly use in real life from time to time. I also have a soft spot for the Chorus speeches in Henry V.

Troy O'Donnell as Malvolio in Twelfth Night, Freewill Shakespeare Festival. Photo by Epic Photography Inc.

Any dream roles on your bucket list? (Shakespearean or otherwise)
Friar Laurence in Romeo and Juliet. Richard III.

In ‘An Inspector Calls’, you play the patriarch of the Birling family, a man who has worked himself into a position of power, but has sins to atone for. What aspects of the character resonate with you? How do you find common ground?
While there are a lot of aspects to Birling that are unattractive and even, perhaps, nasty… I believe his motivations are pure. It’s just his execution leaves something to be desired at times. Ultimately, he’s trying to do the best for his family and that extends to his business practices. He is fiercely loyal, even in his criticism of them, and always trying to protect them and what he’s built for them. I can understand and appreciate that loyalty and drive.

What's the best acting advice you’ve ever been given?
An instructor at University had a very 'meat and potatoes' approach to acting that has stuck with me. “What do you want? How badly do you want it? Go get it.”

Coffee or Tea, and how do you take it?
On a daily basis: neither. During rehearsals there’s often a pot of coffee on so I’ll drink it mostly because it’s there. I rarely order coffee out unless I’m having the full-on 'greasy spoon' breakfast: eggs, bacon, toast, hashbrowns… a coffee completes it. One cream, one sugar.

What’s currently inspiring you?
Recent theatre school grads not waiting around for the phone to ring but going out and creating their own opportunities.

‘An Inspector Calls’ is a classic mystery with contemporary relevance. Is there a modern mystery you’d like to see resolved?
With the new photos just released, I’d like to know what that really is in Loch Ness. But I also hope no one ever catches anything.
Biggest mystery these days, to me, is how the minds of a great deal of the American electorate are working. I’m at a loss for understanding and words (on a daily basis) as I follow that circus sideshow.

Catch the dynamic Troy O'Donnell evade investigation in 'An Inspector Calls', playing until October 29 at Rosebud Theatre. A masterpiece of 20th century theatre, this drawing room mystery will keep you questioning long after the curtain goes down. For tickets and information, visit

Friday, 16 September 2016

Director's Chair - Karl Sine on 'An Inspector Calls'

Karl Sine is an Actor, Director, and Certified Fight Director with the Academy of Fight Directors Canada. Selected Directing Credits include 'Soldiers Heart', 'Jacob Marley's Christmas Carol' (Loudly Whispered Theatre); 'Solo Joe' (Burnt Thicket); 'We Won't Pay, We Won't Pay', and 'Jake & the Kid' (Rosebud Theatre). Selected Actor Credits include 'The Crucible', 'Enron', 'A Christmas Carol' (Theatre Calgary); 'The Hound of the Baskervilles' (Vertigo Theatre); 'Macbeth', 'Othello', 'Land of the Dead' (The Shakespeare Company); 'Boy's Own Jedi Handbook' (Ground Zero Theatre); 'Queen Milli of Galt', 'Mary's Wedding', 'Oliver!', and 'The Lion, the Witch, and the Wardrobe' (Rosebud Theatre). Karl has been awarded three Betty Mitchell Awards for his work as a Fight Director, as well as the recent Outstanding Actor award for his role in 'The Crucible'. 

Karl Sine directs Justin Lanouette on the set of An Inspector Calls. Photo by Nathan Schmidt.

Let’s get this out of the way. You’re a tea fanatic. You own a tea company, Fireside Tea. What tea were you drinking during 'An Inspector Calls'? 
Yes, I am a tea fanatic. Exceptional tea is one of those things in my life that is an essential. Life is too short to drink bad tea. During An Inspector Calls I tended to gravitate towards three different teas.
#1 – Assam Banaspaty: a black tea from India that is brisk and malty, goes perfect with milk.
#2 – Rou Gui: a roasted oolong from China that has a nutty cinnamon flavor.
#3 – Hojicha: a green tea from Japan that is also roasted, woody and nutty in flavor.

Have you considered making one for the show? What would it be?
If I had to make a tea for An Inspector Calls I would probably create a blend of black teas, maybe a blend of assam, qimen and Ceylon. Something that would feel English and go well with milk.

You drink tea, this show is set in England. It’s a mystery, you recently played Dr. Watson… Seems like the world of the play is right up your alley. Do you feel an affinity for the time period and place?
I do have an affinity to the place, always have. Some of my ancestry is from England so I think that plays into it a bit… but truthfully, I’ve always loved the culture and the history. I’ve been to England a couple times and loved every second of it. My wife and I are huge fans of Downton Abbey, so getting to direct a play during that period is a real treat.

In ‘An Inspector Calls’, a pre WWI wealthy family is put under question for the seemingly unrelated death of a young woman. Were there modern references you used as touchpoints in directing this show?
I think what J.B. Priestly has created is something that has resonance no matter the year in which it’s being produced. Like any great playwright the themes explored in the play are relatable because they centre around the human condition and therefore are timeless. One quote that I kept coming back to as I was researching was from Mother Teresa:

“We think sometimes that poverty is only being hungry, naked and homeless. The poverty of being unwanted, unloved and uncared for is the greatest poverty. We must start in our own homes to remedy this kind of poverty.”

Do you, as a professional actor, approach scripts differently as a director?
I guess to some degree I do, because I’m having to look at the bigger picture and overall arc of the story. That said, my sensibilities as an actor shine through. I have always believed to my core that the theatre is the actors’ medium and film is the directors’ medium. Therefore it’s impossible for me not to think like an actor when approaching directing a theatre show. At its most basic level, theatre is actors telling stories, whereas in film, so much can change once the director gets to the editing room. Neither medium is “less-than”, just different. As a director, my biggest job is to help clarify the story that the actors are telling.

What surprised you in the process?
Just how personal and relevant this story can be. It’s not a history play, it’s a play for now and for each one of us.

This last year you garnered MULTIPLE Betty Mitchell Awards (and Calgary Critics' wins) for Acting and Fight Direction. What was the most challenging artistic endeavor of the last year?
Without question playing the role of John Proctor in Theatre Calgary’s production of The Crucible. The role required so much of me and it truly was an exhausting experience, incredibly rewarding, but exhausting.

Karl Sine in Theatre Calgary's The Crucible. Calgary Herald "Shaking Off the Demons in Old Salem" (full article)

What’s currently inspiring you?
I am always inspired by my wife, Lindsey, and my kids Olivia and Charlie! Having a family in the arts is a challenge and a dance. I am so thankful for my family.

What’s a moment in rehearsal that has stuck with you?
Our first real tech/dress was an exciting moment. I loved seeing it all come together!

What’s next for you, artistically?
Fight Directing Richard III for The Shakespeare Company.
Acting in Theatre Calgary’s A Christmas Carol in the role of Bob Cratchit.

And lastly, what tea are you drinking NOW?
Right this moment, I’m drinking a beautiful Bai Hao (Oriental Beauty).

Don’t miss your opportunity to catch Karl Sine’s singular direction in the riveting ‘An Inspector Calls’, now playing at Rosebud Theatre until October 29. For tickets and information, visit

And if you’d like to drink what Karl’s been drinking, visit Fireside Tea and taste the wonders of his beautifully handcrafted teas!