Jonathan Bruce is happy to be back in Rosebud reprising the role of Sam in 'Tent Meeting'. Graduating with a BFA in Theatre from the University of Mississippi, JB moved to Canada in 1987 and has spent the last 30 years working in theatre, film, and television. Favorite roles include Sam in 'Tent Meeting' (Pacific Theatre, Blinding Light Productions, Brookstone Theatre, Rosebud Theatre), Nicely Nicely in 'Guys and Dolls' (Chemainus Theatre), and Lazar Wolfe in 'Fiddler on the Roof' (Royal City Musical Theatre). TV and Film credits include Supernatural, Miranda Sings, Smallville, Two for the Money, The Hole, and the Christmas classic, Elf. As a tenor, JB performs in groups ranging from duets to mass choirs. A featured soloist for the Universal Gospel Choir, he also lends his voice to fundraise for the Cancer Society in Saskatchewan.
Where do you call home?
Jonathan Bruce, David Snider, Blair Young, and Declan O'Reilly in Tent Meeting. Photo by Morris Ertman. |
I’m originally
from Mississippi, but I’ve been living in Vancouver since ’87 (minus a jaunt to
Los Angeles).
What’s your “must-have” morning ritual?
Toast and peanut
butter… and a shower.
Favorite gospel song?
The first solo I
remember hearing in church is His Eye is
on the Sparrow. It has always been my favorite, possibly because [the
lyric] “I sing because I’m happy”.
What’s your “go-to” shower song?
Really varies
based on the last thing I listen to. Usually some Top 40’s fluff, or classic
rock.
This is your 5th production as Sam in
‘Tent Meeting’. Can you tell us how it started and why you stay involved?
This is all Doug
MacArthur’s fault (head of drama - Lethbridge University). In the 80’s I was
quite busy with television work, and wasn’t really planning on doing any
theatre. Doug had auditioned for Morris on another project and heard about Tent Meeting. He knew I had experience
with quartet singing. (In my high-school it was an everyday extracurricular
class). Doug talked me into going in-between a couple of other auditions that
day.
I met with
Morris, without accompanist, sang a few old tunes and walked out thinking I was
done. Morris called later, and I met Ron Reed later that afternoon. It was just
like every other audition [except] with a 20 year pay off.
I stay with the production because it honors the music [as well as] the characters that helped form the man I’ve become.
Sam is a composite of men I knew when growing up in Mississippi. In a time when you spoke your mind, and did what you said. My father talked loud, knew his worth, and never had a problem he couldn’t wrestle to its knees with hard work and persistence. My father’s friend, Frank Black, [is a man] who has never yet met a stranger: a merchant who could put anyone at ease with a quick joke or honest advice. Mr. Frank always had a cigar in his mouth, although I don’t ever remember him lighting it.
I stay with the production because it honors the music [as well as] the characters that helped form the man I’ve become.
Sam is a composite of men I knew when growing up in Mississippi. In a time when you spoke your mind, and did what you said. My father talked loud, knew his worth, and never had a problem he couldn’t wrestle to its knees with hard work and persistence. My father’s friend, Frank Black, [is a man] who has never yet met a stranger: a merchant who could put anyone at ease with a quick joke or honest advice. Mr. Frank always had a cigar in his mouth, although I don’t ever remember him lighting it.
The camaraderie
between the guys in
the [Tent Meeting] quartet, is straight out of the streets of Ackerman, Mississippi. Born of a
culture where you’ve known everyone forever. These men have been through so
much together as a group, that every street corner becomes a locker room… there
are no secrets.
In every production there must be something new that
speaks to you. What’s striking this time around?
It has always
amazed me that the four part harmony has been so proficient. It takes quartets
months to get the sound that we have only a week to accomplish. This particular
quartet, with input from Bill Hamm, has an impressive sound. It is a pleasure
to sing this music, especially with this cast.
Do you have a favorite “on-stage” moment from a
previous production?
We were doing the
show at Brookstone Theatre in Toronto… [during one particular song] the audience
likes to clap along. And while they always start on tempo, quite often they get
behind as they listen to the song. All of a sudden there was a loud clap from
the back, precisely on tempo, which picked up the audience and held them till
the end. It was Tenor Ben Heppner, who was a patron of Brookstone.
What’s currently inspiring you?
I recently left a
15 year office job in order to be free to chase the performance dream. So
I guess what is inspiring me is possibility… and second chances.
It’s been almost 20 years of your collaboration with
Morris Ertman and this show. You’ve been instrumental in its development.
What’s the essential ingredient(s) to maintaining that kind of relationship,
personally and professionally?
Morris and I have
in a lot of ways lived a parallel creative journey. He had “Tent Meeting”, I
had “Camp Meeting”. He loved the Blackwood Brothers, and I come from Blackwood
Brothers territory. We have the same spiritual questions… and largely come up
with the same answers. We were obviously meant to be working together…and I
don’t think we’re done with Tent Meeting
yet!
Lastly, ‘Tent Meeting’ uncovers relational harmony
while celebrating a diversity of voices. How do you keep in tune with people
you love?
Like any musical
group: listen to each other, breathe together, and try try to blend in!
Don’t miss this opportunity to let Jonathan Bruce
transport you with his sweet sounds as the backslidden (but beloved) Pool-Hall proprietor,
Sam. ‘Tent Meeting’ runs June 24 – August 28. For tickets and more information,
visit rosebudtheatre.com